Simon Young
A Journey Through the Concerto for Piano and Wind, “Homages” by Edward Gregson

Jim Samson 
Rewriting Early Nineteenth-Century Music History

Julijana Zhabeva
The Reconstruction of Music Life in Absence of Artifacts, Graphic and Written Materials

Mirjana Pavlovska
Sofia Neglobinska’s Influence on the Development of Music Life in Struga between World War I and World War II

Dieter Ringli
The «Old New Year’s Eve» – a Rural Swiss Yodeling Custom

Dragan Dautovski
The Sound Realization of the Ornaments from the Folk Music Tambura Performance Tradition in Macedonia

Tome Manchev
The Traditional Folk Instruments as Inspiration for Macedonian Contemporary Music Composers

Aleksandar Dimitrievski
The Influence of the Analog Recording Technology on the Final Product of Instrumental Ethnopop Music in the 1980s in Macedonia

Eleni Novakovska
Digitization of the Photos from the Vasil Hadzimanov Legacy

Ivona Tatarchevska
The Development of the Dance Notation

Darko Ilievski
The Digitization of Nikola Badev’s Collection


Frans de Ruiter
Is Contemporary Music High Art or Low Art?

Manon Heyne
Key Issues of Contemporary Music Vocal Performance

Viktorija Kolarovska-Gmirja
Determinants of the Music Culture of Elementary School 1st Grade Students in Skopje

Stefanija Leshkova
Distribution of the Database Results on Music Events in Skopje in 2004


Roza Nolceva
Musicians Stay Local - Artist Management Trends in the Republic of Macedonia


Valon Kryeziu
Children's Music Festivals of the Albanian Community in Macedonia

Vesna Maljanovska
Cataloguing Music TV Programs


Dojrana Prokopieva
The Distribution of Data in the Catalogues of Vidoeski’s Cassette and Tape Collections