Welcome! BuzAr (Buzarovski Archive) is a digital collection of video, audio, photos, books, papers, scores and other artifacts related to Balkan cultures and traditions. The collection is based on Dimitrije Buzarovski's musical scores, performances, video and audio recordings, digitised cultural heritage, and musicological and ethnomusicological works. BuzAr YouTube channel 12 playlists reflect the content of the archive with videos covering different events, genres, ensembles, composers and performers. MCMFS (Multimedia Corpus of Macedonian Folk Songs) project combines the different artifacts digitised in BuzAr: transcriptions, audio and video, in a composite video of a particular song from the Macedonian cultural heritage. Established: October 15, 2012 Copyright Notice: Artifacts on BuzAr are for non-commercial, educational, or research purposes. Users of these artifacts agree to cite Buzarovski Archive.

Dimitrije Bužarovski
Education	Compositions	Performances	Musicology
Appointments/Projects	Teaching	Awards	Reviews
Education music education: Bachelor of Music in Performance (piano, 1972,  Ss. Cyril and Methodius University, Faculty of Music in Skopje ), Bachelor of Music in Theory and Composition (1973, Ss. Cyril and Methodius University, Faculty of Music in Skopje ), Master's degree  in Composition (1976, University of Arts, Faculty of Music of Belgrade) Doctor's degree in Philosophy (1984, Aesthetics of Music, Ss. Cyril and Methodius University, Faculty of Philosophy) postdoctoral: Fulbright Fellow at Boston University Philosophy Dpt. (1985–86), subject: History of Aesthetics of Music; (1992) at Arizona State University (research project on music education), Fulbright Fellow at Arizona State University College of Business, subject: textbook "Business Basics for Music Managers" (1999–2000) ↑ Back to top
Compositions More than 70 musical compositions, mainly large forms (sonatas, concertos, symphonies, cantatas, oratorios, operas and ballets) for various instrumental and vocal soloists, groups and orchestras, including usage of electronic musical instruments and computers, performed or recorded in Macedonia, former Yugoslavia, Germany, France, Spain, USA, former USSR, Bulgaria, Greece, Holland etc. solo instruments Sonatine for piano op. 1 (1973) Sonata for piano op. 2 (1976) 20 Variations on a folk theme for clarinet solo op. 10 (1978) Motifs for solo cello u2 (1979) II Sonata for piano op. 17 (1983) III Sonata for piano op. 25 (1987) Variations for cello based on the Macedonian folk song "Parahodot" op. 44 (1997) Thema (Renaissance) (2012) and XX Century (1998) from All That Dance for piano op.39 9 Nocturnes (Vecherinki) for piano op. 49 (Kales Angjo, Vo vlashkoto malo, Sechi mome rusi kosi, Jovano, Jovanke/More sokol pie, Kazhi mi kazhi Katinke, Despina, Dafino, Se posvrshi serbez Donka, Zajdi, zajdi) (2000) Link to performance by the author 4 Nocturnes (Vecherinki) for piano op. 52 (Trnushko/Shekerna/Vecherajte, Ne si go prodavaj Koljo chiflikot, Ne se beli Mare mori, Dali pametvish Milice) (2004) “In memoriam Grlicko” for cello solo u10 (2006) Etude for violin solo op. 59 (2010) song cycles, songs "Humorous songs" op. 5 for baritone and piano (1976) "Love songs" op. 8 for baritone and piano (1979) (also a version for soprano, clarinet and piano, and for tenor and piano) Komitadji Songs for baritone and strings op.16 (1983) "Revolucionerni” for soprano, baritone and synthesizers op. 26 (1986) (also a version for baritone and piano, and soprano and piano) "Songs about Goce" for baritone and wind quintet op. 40 (1977) (also versions for piano or synthesizer 1984 and for baritone, oboe, clarinet, folk instruments, percussions and synthesizer 1996) "Trois poemes de Paul Verlaine composes à la maniere d'impressionnistes" for baritone and piano op. 30 (1989) "Spiritual songs" for children’s choir, soprano, baritone and synthesizers op. 36 (1992) "Songs of Peace and War" for soprano, mezzo-soprano and synthesizers op. 38 (1994) (also a version for soprano, clarinet and piano 1997) "Songs about Goce" for baritone and oboe, clarinet, folk instruments, percussion and synthesizer (1996) Eco songs for mezzo-soprano and synthesizer op. 41 (1996) (also versions for mezzo-soprano and piano, soprano and piano, and oboe and piano 1996) "Wedding songs" for children's choir and synthesizers op. 45 (1997) "A tramp" for baritone and piano u05 (1984) "A song about the soldier three meters under the ground" for bartione and piano op. 12 (1981) Psalm 151 from oratorio "Radomir's Psalms" for tenor and piano op. 47a (1999)/for bass and piano op. 47d (2014) Troparion from oratorio "Radomir's Psalms" for 2 sopranos and piano op. 47b (1999) "A swallow Mica" for children voice, choir and synthesizers u07 (1991) chamber music Chorale, Prelude and Fugue for oboe, clarinet and bassoon op. 11 (1980) String quartet op. 3 (1971) "Helmet" suite for oboe, clarinet, bassoon, two trumpets, percussion and piano op.13 (1981) Folk suite for four trombones op. 14 (1982) Wind quintet op. 15 (1981) Folk quintet for wind instruments op. 23 (1985) "Elegy" for chamber orchestra (1975) Five preludes for synthesizer and chamber orchestra u06 (1987) Baroque concertino for string orchestra and synthesizer op. 27 (1988, Trio version 2001) A suite from music for the plays "Zoika's flat" and "Deutsche Mark" for violin, viola and piano op. 31 (1989) (alto saxophone version 1994, violin, cello and piano version 2001) Sextet for wind quintet and synthesizer op. 32 (1990) Concerto for strings, harp and synthesizer op. 33 (1990) All That Dance (Variations for two pianos) op. 39 (1995) TechnoSymph op. 42 (1997) Concerto grosso for violin, cello, piano, strings and percussions op. 48 (1999, Trio version 2002) Kreuzweg – Reflexionen IX for flute, viola, guitar and accordion op. 50 (2001) Nonet Concerto for oboe, clarinet, French horn, trumpet in C, bass trombone, percussions, piano, harp/guitar, violin op. 51 (2003) Concerto for trumpet and strings op. 58 (2010) (also a piano version) Concerto for horn and strings op. 58b (2012) (also a piano version) Nocturnes for two pianos op.52b (Trnushko/Shekerna/Vecherajte, Ne si go prodavaj Koljo chiflikot, Ne se beli Mare mori, Dali pametvish Milice) (2004) Fantasia for cello and piano (also version for viola and piano) op. 55 (2009) "Mane" sonata for violin and piano op. 57 (2009) Jazz sonata for alto saxophone, piano and double bass op. 56 (2009) “Cabaret” Variations on the theme "Makedonija mozhe" for violin, cello and piano four-hands op. 62a (2012) “Cabaret” Variations on the theme "Makedonija mozhe" for accordion trio op. 62b (2012) Trio Sonata op. 63 (2013) Sonata Concertata for violin and piano op. 58e (2014) A Challenge for violin and piano op. 64 (2014) A Challenge for violin, English horn and piano op. 64a (2015) Glitch Rhapsody for violin, oboe/English horn, piano and strings op. 65а (2015) symphony orchestra Fantasia quasi una Sinfonia op. 4 (1973) II Symphony op. 9 (1979) Musurgia ecclectica for symphonic orchestra and synthesizer op. 29 (1989) Piano Concerto op. 46 (1998) Vocal Symphony for four voices, choir and symphony orchestra op. 53 (2008) (also a version for 8 voices and symphonic orchestra 2005, and four voices, choir and piano four-hands 2008) Ouverture op. 54 (2007) Double concerto for violin, piano and symphony orchestra op. 61 (2012) vocals, choir, orch. "Ballad" for tenor, choir and chamber orchestra u04 (1981) "Four komitadji songs for wind orchestra mezzo-soprano, baritone and choir" u01 (1978) "Eyes" a cantata for soprano, baritone, narrator and wind orchestra u03 (1980) "We Live - We Remember" oratorio for soprano, baritone, choir, narrators and synthesizers op. 22 (1984) "Ohrid" oratorio for soprano, alto, tenor, baritone, narrator, choir and symphonic orchestra op. 28 (1988) "Radomir's Psalms" oratorio for 2 sopranos, tenor, bass, children's choir, choir and symphonic orchestra op. 47 (1999) Link to audio Cantata "Longing for the South" for tenor, chamber choir and orchestra op. 60 (2011) (also a version for tenor and piano 2012) ballet / opera "Candy tale" op. 7 (1976) "Trains" ballet op. 21 (1984) "Snow White" op. 24 (1986) "Despina and Mr. Dox" comic opera op. 35 (1991) "The Skeleton and the Beauty" op. 37 (1993) synthesizers Experiment I op. 18 (also a version for synthesizer and chamber orchestra) (1984) Tema con repetizioni op. 19 (1984) Pop-suite op. 20 (1984) "Eneads I" (1987), "Eneads II" (1991), "Eneads III" op. 34 (1991) SynthSon op. 43 (1997) music for theatre, soundtracks "Helmet" (1981), "Zoika's flat" (1986), "Deutsche Mark" (1987), " 'night, mother" (1987), "Fairy tale about time" (1988), "Collecting center" (1988), Father (1989), "Weekend of corpses" (1989), "Giant" (1989), "Nothing without Trifolio" (1990), "Monsters in our city" (1990) (also a TV serial), "The comedy of errors" (1990), "Hunter’s tales" (1990),"A tavern on the road to Europe" (1991), "Electra" (1992), "Clowns" (1993), "Caligula" (1993), "Hecuba" (1994), "Confusions" (1994), "Dicho Zograf" (1994), "Harlequin" (1995), "Prometheus" (1995) "Waiting for the spirit" (1995), "Fortinbras is dead" (1996), "Farewall" (1997), "Goldfish" (1997), "Two in Eden" (1998), "Figaro's wedding" (1998), "Jane Zadrogaz" (2000), "Ghoul Quest" (2001), "Completed works by Shakespeare" (2002), "Advertisments for old clowns" (2002), "A Midsummer Night's Dream" (2008) radio and TV music: "Helmet" (1981), "Poetic theater – Justo Jorge Padrón" (1990), Mateja Matevski poetry (1992), signature tunes for MRT (A bre Makedonche), soundtracks for documentaries for TV KISS (2001–02) arrangements: for synthesizers and children’s choir or solo voices: Bach, Gounod, Fauré, Handel, Gershwin, Bolcom, Ives, Copland, Brahms, Verdi, Beethoven, Schubert; Anthems – Macedonian, US, Great Britain etc. ↑ Back to top
Performances as a pianist or piano accompanist, soloist on synthesizers, conductor (only for his own compositions), recitals and concerts in Europe and USA, recordings for various radio and TV programs ↑ Back to top
Musicology main field – aesthetics, sociology and economics of music, over 150 reviews of musical events, over 70 essays or conference papers, books on aesthetics of music, electronic music, musical analysis, research methodologies, musiconomy, editor of 18 books from IRAM international conferences Books Istorija na estetikata na muzikata / Историја на естетиката на музиката (History of Aesthetics of Music), Fakultet za muzichka umetnost, Skopje, 1989; Istorija estetike muzike, Fakultet umetnosti u Nišu, 2013; Historia e estetikës së muzikës, Logos-A, 2014 Uvod vo analizata na muzickoto delo / Увод во анализата на музичкото дело (Introduction into Analysis of Musical Piece), Fakultet za muzichka umetnost, Skopje, 1996 Od prirodni do kompjuterski zvuci i tonovi, izbor i ureduvanje od D. Buzarovski / Од природни до компјутерски звуци и тонови, избор и уредување од Д. Бужаровски (From Natural to Computer Sounds, selected and edited by D. Buzarovski), Fakultet za muzichka umetnost, Skopje, 2000 Anglisko-makedonski rechnik na tehnichki termini od oblasta na obrabotkata na zvukot / Англиско-македонски речник на технички термини од областа на обработката на звукот (English-Macedonian dictionary of sound processing technical terms), Fakultet za muzichka umetnost, Skopje, 2000; Anglisko-makedonski glosar na tehnichki termini od oblasta na obrabotkata na zvukot, (English-Macedonian glossary of sound processing technical terms), IRAM, Skopje, 2001 Reflections on Macedonian Music – Past and Future, First London Conference IRAM, Skopje, 2001 (editor) Osnovi na digitalnoto arhiviranje na zvukot / Основи на дигиталното архивирање на звукот (The Basics of Digital Sound Archiving), IRAM, Skopje, 2002 Contemporary trends in musicology and ethnomusicology, IRAM, Skopje, 2002 (editor) Reflections on Macedonian Music – Past and Future, Second London Conference, IRAM, Skopje, 2003 (editor) Contemporary Trends in Musicology and Ethnomusicology, Second Struga Conference, IRAM, 2003 (editor) Cultural Policy and Music Education, First Skopje Conference, IRAM, 2004 (editor) Reflections on Macedonian Music – Past and Future, Third London Conference, IRAM, Skopje, 2004 (editor) Contemporary Trends in Musicology and Ethnomusicology, Third Struga Conference, IRAM, Skopje, 2004 (editor) Cultural Policy and Music Education, Second Skopje Conference, IRAM, Skopje, 2004 (editor) Reflections on Macedonian Music – Past and Future, Fourth London Conference, IRAM, Skopje, 2005 (editor) Contemporary Trends in Musicology and Ethnomusicology, X IRAM Conference, IRAM, Skopje, 2005 (e-edition, editor) Cultural Policy and Music Education, XI IRAM Conference, IRAM, Skopje, 2006 (e-edition, editor) Reflections on Macedonian Music – Past and Future, XII IRAM Conference, IRAM, Skopje, 2006 (e-edition, editor) Cultural Policy and Music Education, XIII IRAM Conference, IRAM, Skopje, 2006 (e-edition, editor) Researches in Musicology and Ethnomusicology, XIV IRAM Conference, IRAM, 2007 (e-edition, editor) Researches in Musicology and Ethnomusicology,  XVI IRAM Conference, Skopje, 2010 (e-edition, editor) Culture and Music, XVII IRAM Conference, Skopje, 2011 (e-edition, editor) Music, Culture and Identity, XVIII IRAM Conference, IRAM, Skopje, 2012 (e-edition, editor) Istraživačke metodologije aplicirane u muzikologiji (Research Methodologies Applied to Musicology), DOO „Nota”, Knjaževac, 2012 Muzikonomija – Uvod u muzički menadžment, ekonomiju i marketing (Musiconomy – Intro into Music Management, Economy and Marketing), Fakultet umetnosti u Nišu i Centar za naučnoistraživački rad SANU i Univerziteta u Nišu (Faculty of Fine Arts of the University of Niš and Research Center of SASA and the University of Niš), 2014 Sonologija (Sonology), Fakultet umetnosti u Nišu i Centar za naučnoistraživački rad SANU i Univerziteta u Nišu (Faculty of Fine Arts of the University of Niš and Research Center of SASA and the University of Niš), 2015 Sociologija muzike (Sociology of Music), Fakultet umetnosti u Nišu (Faculty of Fine Arts of the University of Niš), 2016 Eight-Volume Book Cycle Dimitrije Buzarovski: Times and Music, 2020–2022, BuzAr/Fakultet za muzichka umetnost, Skopje Živko Firfov Transcriptions Collection Songs, 2023– (editor) Papers 1. Za muzikata denes (On Contemporary Music), Sovremenost nr. 1–2, 1972 2. Shund vo muzikata ili... (Schund in Music or...), Sovremenost nr. 4, 1972 3. Eden od chinitelite za pojavata na muzichkiot shund vo Makedonija (One of the Factors for Appearance of Musical Schund), Sovremenost nr. 5, 1972 4. Ulogata na radioto i televizijata vo shirenjeto na muzichkiot shund kaj nas (The Function of Broadcasting Organizations in Spreading of Musical Schund), Sovremenost nr. 6, 1972 5. Mestoto i ulogata na raznite organizacii vo akcijata protiv muzichkiot shund kaj nas (Place and Role of Certain Organizations in Prevention of Musical Schund), Sovremenost nr. 8, 1972 6. Kako protiv muzichkiot shund (How Against the Schund in Music), Sovremenost nr. 8, 1972 7. Serburskite cadori (The Cherbourg Umbrellas), Sovremenost nr. 1–2, 1979 8. Za psihofizioloshkite determinanti pri percepcijata na muzikata (On Psycho-physiological Determinants in Perception of Music), Sovremenost nr. 9–10, 1979 9. Pet prashanja na tema muzichkata animacija (Five Questions on the Subject – The Animation in Music), Treta programa RTS nr. 2–3, 1980 10. Za estetskite konsekvencii na interakcijata tekst – muzika (On the Aesthetical Consequences in the Interaction Music – Text), Sovremenost nr. 3-4, 1980 11. Muzikata kako intonacija – megju Kant i Asafjev (Music as Intonation – comparing Kant to Asafjev), Treta programa na RTS, spring 1980 12. Za muzikata vo politichkite spisi na Platon (Plato on Music), Treta programa na RTS, spring 1981 13. Za i protiv sloevitosta na muzichkiot fenomen vo estetikata na Nikolaj Hartman (For and Against the Layers of Musical Phenomenon in Nikolai Hartmann's Aesthetics), Treta programa na RTS, spring 1980 14. Kon odredbata na poimot – gragja na muzikata (Towards the Determination of the Concept – Matter in Music), Treta programa na RTS, autumn 1980 15. Kon dijalektichko-kritichkata estetika na muzikata (Towards Dialectical Critical Aesthetics of Music), a conference paper for the Third Radio Channel Symposium, Arangelovac,1983 (several reprints in former Yugoslav reviews) 16. Kon odnosot na opshtite i posebno-nauchnite ispituvanja na muzichkiot fenomen (On the Relation Between the General and Particular Scientific Inquiry of Musical Phenomenon), Treta programa na RTS, autumn 1982 17. Cycle of essays broadcast as an extract from the doctoral dissertation on the Third Radio Channel of Skopje, weekly in Summer–Autumn, 1984: Gnoseology of Music as Dialectics of Meaning – Modality of a Musical Piece – Development – Basic Category in Music a) The roots b) The progress c) The musical multiversum d) From harmony to reflection e) Originality and tradition f) The influence of technique g) The future of music 18. Generative Ideas in the Aesthetics of Music, International Review of the Aesthetics and Sociology of Music, 17/2 (1986), 163–184 19. Odumiranje umetnosti zadovoljenog chovechanstva (Dying of Art in a Satisfied Mankind), Treci Program Radio Sarajevo nr. 61, 1988 20. Polyphony on the Balkan – Sketches for a Comparative Study between the Western Classic-music Genre and Macedonian Musical Folklore (conference paper, Tirana, October, 1989) 21. Moznostite za kompjuterska obrabotka na podatocite vo muzikologijata (The Possibilities for Computer Storage of Musicological Data), (conference paper, Strushka muzichka esen, 1989) 22. Nacionalnoto i internacionalnoto vo muzichkata kultura (The National and the International in Music Culture), Treta programa na MRT, spring 1989 23. Confessio – Jugoslovenskiot muzichko-kulturen prostor na krajot od vekot (Confessio – The Yugoslav Cultural and Musical Space at the End of the Century), Treta programa na MRT, spring 1989 24. Veshtachkata intelegencija (The Artificial Intelegence), (conference paper, Skopje, 1990) 25. Piano versus syntesizer (conference paper for Valentino Bucchi competition, Rome, 1991) 26. Computers in musical education (conference paper for Valentino Bucchi competition, Rome, 1991) 27. Kon problemot na originalnosta na muzichkoto delo (Towards the Problem of the Originality of the Musical Piece), Treta programa na MRT, autumn 1991 28. Kon specifikite na muzikata za film – muzikata na Trajko Prokopiev vo filmot "Frosina" kako povod za edno poshiroko razmisluvanje za relacijata muzika – film (On the specific details of the film music – The music of Traiko Prokopiev in the film "Frosina" as a pretext for a wider reflection on the relation between music and film), from the book: Frosina prv makedonski igran film, Kinoteka na Makedonija, Skopje, 1991 29. Muzikata na Ivan Rupnik za filmot "Mis Ston" (Ivan Rupnik's music for the movie "Miss Ston"), Kinoteka na Makedonija, Skopje, 1991 30. Avtonomijata ili slobodata na kulturata (Autonomy and Liberty of Culture), Lik, Nova Makedonija, january 1992 31. Cultural diversity and ethnic space (conference paper at Macedonian council for international cooperation conference, Skopje, september 1994) 32. College Students Attitudes Toward Music (with Jere T. Humphreys and Barrie Wells), Bulletin of Research in Music Education, vol. 21, 95/96, Pennsylvania Music Educators Association, 20–42 33. Macedonian Musical Life Under the Conditions of a Market Economy (conference paper, Macedonian Music Council, April 18, 1997) 34. Muzikata vo erata na kibernetichkiot pank (Music in the cyber punk era), Lik, Nova Makedonija, March 1998 35. European cooperation and cultural rights after the fall of the Berlin wall (conference paper for "The Power of Culture" Intergovernmental Conference on Cultural Policies for Development, Stockholm, 30 March – 2 April 1998) 36. Articles on Macedonian Music Culture and the composer Tomislav Zografski in The New Grove Dictionary of Music and Musicians (1998) 37. Muzikata kako teoriski fenomen vo digitalnata era, Muzika 8, 2001, Skopje, 15–21 38. IRAM  and digital promotion and archivation of Macedonian music culture (First London Conference paper, also published in the book Reflections on Macedonian Music – Past and Future, First London Conference, IRAM, 2001) 39. Musicology and Ethnomusicology in the Digital Era (Struga Conference paper, also published in the book Contemporary Trends in Musicology and Ethnomusicology, IRAM, 2002) 40. IRAM in its second year (Second London Conference paper, also published in the book Reflections on Macedonian Music – Past and Future, Second London Conference, IRAM, 2003) 41. Firfov Collection Revisited: Oral Tradition after 30 Years (Second Struga Conference paper, also published in the book Contemporary Trends in Musicology and Ethnomusicology, Second Struga Conference, IRAM, 2003) 42.Cultural Policy and Music Education (also published in the book Cultural policy and music education, First Skopje Conference, IRAM, 2004) 43. IRAM phenomenon – IRAM in its fourth year (also published in the book Reflections on Macedonian Music – Past and Future, Third London Conference, IRAM, 2004) 44. IRAM’s CD Female vocal soloists from the Firfov Collection (also published in the book Contemporary Trends in Musicology and Ethnomusicology, Third Struga Conference, IRAM, 2004) 45. Teaching Music Composition in the 21st Century – The Kingdom of Loops (also published in the book Cultural Policy and Music Education, Second Skopje Conference, IRAM, 2005) 46. IRAM phenomenon – IRAM in its fifth year – Multimedia (also published in the book Reflections on Macedonian Music – Past and Future, Fourth London Conference, IRAM, 2005) 47. Is musicology science?, Contemporary Trends in Musicology and Ethnomusicology, X IRAM Conference, IRAM, 2005 48. The Ethics of Music Journalism, Cultural Policy and Music Education, XI IRAM Conference, IRAM, 2006 49. 40 Years of Higher Music Education in Macedonia – The IRAM Phenomenon Again, Reflections on Macedonian Music – Past and Future, XII IRAM Conference, IRAM, 2006 50. Macedonian Music Culture 15 Years After the Fall of Socialism, Cultural policy and music education, XIII IRAM Conference, IRAM, 2006 51. Keeping Pace with the Rhythms of the Internet – 10 years of Macedonian Music Culture at the mmc.edu.mk Web Site, Researches in Musicology and Ethnomusicology, XIV IRAM Conference, IRAM, 2007 52. We Are All Authors, Researches in Musicology and Ethnomusicology, XV IRAM Conference, IRAM, 2007 53. Collective Administration of Music Rights in Republic of Macedonia, (cycle of  lectures at UKIM Iustinianus Primus Faculty of Law, April–May 2007) 54. Connecting Zivko Firfov's audio and transcription collections, Intro. CD ROM, 2010 55. Istrazhuvachkite metodologii i muzikata, Researches in Musicology and Ethnomusicology,  XVI IRAM Conference, Skopje, 2010 56. iPhone, YouTube, Avatar and Neuroscience, Culture and Music, XVII IRAM Conference, Skopje, 2011 57. Macedonian Music Culture during World War Two Revisited (with Trena Jordanoska), Culture during the World War Two 1939–1945, International Interdisciplinary Scholarly Symposium, MNOM, IGIZ, Maribor, June 7–9, 2012/Revisiting Macedonian Music Culture during World War Two, Facta Universitatis, Visual Arts and Music, Vol. 1, No 1, 21–29, 2015 58. Macedonian Composers during World War Two Revisited (with Trena Jordanoska), Culture during the World War Two 1939–1945, International Interdisciplinary Scholarly Symposium, MNOM, IGIZ, Maribor, June 7–9, 2012/Macedonian Composers during World War Two, Revisited, Facta Universitatis, Visual Arts and Music, Vol. 1, No 1, 31–40, 2015 59. Digital Archiving of Contemporary Composers Works, Music, Culture and Identity, XVIII IRAM Conference, IRAM, Skopje, 2012 60. Upatstvo za koristenje na modelot za digitalen arhiv na tvoreshtvo od sovremeni avtori, izraboteno i podareno na site avtori od Republika Makedonija od Dimitrije Buzharovski. Zdruzhenie za zashtita na avtorski muzichki prava/Musical Copyrights Society of Macedonia – ZAMP, 2012 61. Razvoj pevskega glasu pri predšolski populaciji iz Šabca v Srbiji (with Milena Đurković-Pantelić and Trena Jordanoska), Glasba v šoli in vrtcu, nr. 3, 2013 62. Digital Extension of Music Memory – Music as a Collective Cultural Memory, Kultura/Culture 4, (2013), Mi-An, Skopje, 123–129 63. Prema računаrskoj muzikologiji – kvantitativne naspram kvalitativnih metoda u muzikologiji, BARTF, I nacionalni naučni skup sa međunarodnim učešćem Umetnosi i kultura danas, 11–12 oktobar, Fakultet umetnosti u Nišu, 2013 64. Ernst Lichtenhahn’s Role in the Development of Macedonian Ethnomusicology in the 21st Century, Communicating Music, Festschrift für Ernst Lichtenhahn zum 80. Geburtstag/Festschrift for Ernst Lichtenhahn’s 80th Birthday, Antonio Baldassarre, Marc-Antoine Camp (eds.), 269–277, Peter Lang, 2015 65. Panel diskusija – Stavovi profesora razredne nastave u Nišu o sadržajima udžbenika za muzičku kulturu u trećem razredu osnovne škole u školskoj 2013/2014 godini: „Metodološki aspekti istraživanja o stavovima profesora razredne nastave o udžbenicima za muzičku kulturu“, Balkan Art Forum (BARTF) Niš, 10–11 oktobar 2014, Drugi naučni skup Umetnost i kultura danas: Duh vremena i problemi interpretacije – Zbornik radova sa naučnog skupa. Univerzitet u Nišu, Fakultet umetnosti u Nišu, 403–412, 2015 66. Oprostorenje muzike XXI veka, Naučni simpozijum Tradicionalna estetska kultura IX: Prostor, 7. novembar 2014, SANU, Ogranak Niš, Centar za naučnoistraživački rad SANU i Univerziteta u Nišu i Fakultet umetnosti u Nišu, 277–283, 2016 67. Articles on Macedonia: Artistic Music, Traditional Music, Skopje, Bitola, Ohrid, Tomislav Zografski, Simon Trpčeski, Nikola Badev, Aleksandar Sarievski, Vaska Ilieva, Esma Redžepova in Grove Music Online, 2014/2015 68. Limit ili kreacija trećeg sveta elektroakustičkih medija, Naučni simpozijum Tradicionalna estetska kultura X: Mediji, Fakultet umetnosti u Nišu i Centar za naučnoistraživački rad SANU i Univerziteta u Nišu, 6. novembar 2015 69. Panel diskusija – Repertoar mešovitih horova u Srbiji u 2015. godini: „Istraživanje repertoara mešovitih horova u Srbiji u 2015. godini“. Balkan Art Forum (BARTF) Niš, 7–8 oktobar 2016, IV naučni skup Umetnost i kultura danas: Igra kao antropološki, estetički i pedagoški princip, Univerzitet u Nišu, Fakultet umetnosti u Nišu, 2016 70. Od neutralnog do lepog i ružnog u muzici XXI veka, Naučni simpozijum Tradicionalna estetska kultura 11: Lepo i ružno, Ogranak SANU u Nišu, Univerzitet u Nišu, Fakultet umetnosti u Nišu i Centar za naučnoistraživački rad SANU i Univerziteta u Nišu, 18. novembar 2016 71. Refleksija društvenog i kulturnog okruženja u muzici za predstave pozorišta u Šapcu i Bitolju u periodu 1950–1990. godine, Međunarodna naučno-umetnička konferencija Od mobilnosti do interakcije. (Re)vizije dramskog pisma i pozorišta u Jugoslaviji i nove dramsko-pozorišne produkcije u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji/ OD MOBILNOŚCI DO INTERAKCJI. (Re)wizje dramatu i teatru w Jugosławii oraz nowej produkcji dramatopisarsko-teatralnej w Bośni i Hercegowinie, Chorwacji, Czarnogórze, Kosowie, Macedonii, Serbii i Słowenii”. 07.-09.11.2018., Sosnovjec, Katovice. Sosnovjec, Uniwersytet Śląski, Wydział Filologiczny/ Filološki fakultet (with Milena Đurković-Pantelić and Trena Jordanoska) 72. Historical fictions as false identity: Wagner in Bitola. Historical Fictions Research Conference (HFRN 2019). Manchester Central Library, February 22nd and 23rd 2019 (with Trena Jordanoska) ↑ Back to top
Teaching at Faculty of Music at Ss. Cyril and Methodius University in Skopje undergraduate studies: Aesthetics and Sociology of Music (1983–2019), Polyphony and Harmony (1987–1991), Analysis of Musical Forms (1991–2001), Sonology (2000–2019), Sonology and Multimedia (2006–2019), Digital Sound Archiving (2013–2019), Electronic Music (2015–2019) graduate studies: Musicology (1990–2019), Sonology (2000–2019), Cultural Management (1996–99), Aesthetics of Music (1990–2009), Introduction to Arts Business (1998–2009), Research Methodologies (2000–2019) doctoral studies: Musicology (1993– ), Music and Ethics (2021– ), Research Methodologies (2021– ), Musiconomy (2021– ), Musical Styles (2021– )   at ASU Study Abroad at UKIM Balkan Cultures and Traditions (1998–2001) at School of Music at Arizona State University Basic Music Theory (1993) at Faculty of Fine Arts at University of Niš undergraduate: Vocal Literature (2007–2017), Musical Styles (2007–2017), Orchestration (2007–2010), Composition (2008–2010), Digital Sound Processing (2008–2011), Research Methodologies (2009–2011), Cultural Management (2012–2015), Aesthetics of Music (2010–2011) graduate studies: Musical Styles (2012–2017), Research Methodologies (2012–2017), Vocal Literature (2013–2017) Lectures in USA Boston University (1985), Boston Colloquium for Philosophy of Science (1986), Harvard University (1986), Colorado State University (1986), University of Wyoming (1986), Boston University (1987), Arizona State University (1992, 1993, 1994, 1995, 1996), The University of Arizona, Tucson (1992), Southern Oregon State College (1993), The University of Texas (Austin) (1994), Kent State University (1994), Louisiana Tech University (2003) ↑ Back to top
Appointments Member of FIJM (Jeunesse Musicales) Animator's Committee (1976–78), Member of European Broadcasting Union working group for music programs (1984–85) President of the Union of Yugoslav composers' organizations (1990–91), President of the University council of the Ss. Cyril and Methodius University, President of the Council of "Ohrid Summer Festival" (1990–92), Producer, Music Program "Ohrid Summer Festival" (1994), Member of Macedonian Music Artists Association, RILM (International Repertory of Music Literature) Chairperson for Macedonia (1992), Arizona State University Projects Coordinator in Macedonia (1994–99), Dean of UKIM Faculty of Music (1995–99), Head of Graduate Dpt at UKIM Faculty of Music (1999–09), President of MMC (1997–99), IRAM Director (2000– ), IRAM Student Radio Director (2003– ), President of Macedonian Copyright Society (ZAMP) (2007–13), Acting Dean of UKIM Faculty of Music (2019) International educational, artistic or research projects coordinator of several international projects, among them: – TEMPUS JEP 13567/1998 – Development of Electronic Music and Audio Recording Courses (with Trinity College of Music London and Koninklijk Conservatorium Den Haag) – TEMPUS JEP 15019-2000 – Development of IRAM – Institute for Research and Archiving of Music (with Trinity College of Music London and Koninklijk Conservatorium Den Haag) – SCOPES 2000-2003 (SNF) – Research and Digital Archiving of Macedonian Music Folklore (with Musikethnologisches Archiv der Universitat Zurich) – TEMPUS JEP 17088-2002 – Multimedia Program at Ss. Cyril and Methodius University, Faculty of Music (MPUF) (with Trinity College of Music London and Koninklijk Conservatorium Den Haag) ↑ Back to top
Awards Yugoslav youth organization for the String quartet (1973), JRT (Yugoslav Radio and TV) for II symphony (1979), III award of SSNO for the cantata "Eyes" (1981), Ss. Cyril and Methodius University Award for the oratorio "Ohrid" (1989), First award for music for the play "Monsters in Our City" at the festival "Vojdan Chernodrinski" (1990), special awards (1987, 1990) from Macedonian Ministry of Culture for merits for the introduction of electronic and computer music in Macedonian musical culture, and the research on computer archiving of music materials, SOCOM Panche Pesev Award for the oratorio "Radomir Psalms" (2000) and "Vocal Symphony" (2009), Nish International Choir Festival 2010 Golden Badge Award (2010), Honorary Doctorate of University of Niš (2014/2015) ↑ Back to top
Reviews Review of the performance of the Vocal Symphony op.53 by Dimitrije Buzarovski at the Opening of the 22nd International Choir Festival Nis 2008, by the musicologist Aleksandra Paladin (link to pdf in Serbian) Review of the performance of  the Ouverture op. 54  by Dimitrije Buzarovski at the Colorado Music Festival 2007 (link to pdf) Review of Buzarovski Retrospective From opus 1 to opus 62 at the opening of the festival "Golden Lyre" Skopje City Museum, October 15, 2012 by the musicologist Trena Jordanoska (link to pdf in Macedonian) Review of Music Questions/ An Esthetic Performance/ Where Theory and Practice Meet by Dimitrije Buzarovski, by the musicologist Trena Jordanoska (2014) (link to pdf in Macedonian) ↑ Back to top
Contact Dimitrije Buzarovski tel. +389-71-232-891 dbuzar@t.mk ↑ Back to top

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